Having trouble selling your nonfiction book?
Do you want to find simple book promotion techniques that you can use immediately?
This book will show you how.
In "How to Make Money Promoting and Selling a Nonfiction Book" you will learn fourteen simple and effective strategies to boost sales of your nonfiction book.
Many self-published authors make the mistake of thinking that once they write a book and publish it, people will find it on Amazon and just buy it. They tend to think that the sales will come rolling in once their books are listed on Amazon's marketplace. Unfortunately, it takes a lot of effort to get your book noticed and to get people to buy it.
The great thing about this book "How to Make Money Promoting and Selling a Nonfiction Book" is that it walks you through each method, step-by-step, to help you to implement the various techniques to promoting your nonfiction book online. In this practical guide you will discover how to do the following:
Chapter 1: Create a Sales Letter
Chapter 2: Set up an Author Page on Amazon's Author Central Website
Chapter 3: Optimize your book for Amazon
Chapter 4: Get Book Reviews
Chapter 5: Start a Free Book Promotion Through KDP Select Program
Chapter 6: Create an Author Website
Chapter 7: Submit to Search Engines
Chapter 8: Build a List
Chapter 9: How to Use Twitter to Promote Your Book
Chapter 10: How to Use Facebook to Promote Your Book
Chapter 11: How to Use YouTube to Promote Your Book
Chapter 12: Send Out Press Releases
Chapter 13: How to Use Slideshows to Promote Your Book
Chapter 14: Submit Your Book to Top Book Listing Sites
Yes, it is possible to increase your book sales. Just follow each of these promotional techniques and you will get customers to buy your book.
So if you want to know more about how you can successfully promote and sell your nonfiction book, click on theBuy button at the top of the page.
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Scholars have consistently applied psychoanalytic models to representations of gender in early teen slasher films such as "Black Christmas (1974)," "Halloween (1978)" and "Friday the 13th (1980)" in order to claim that these were formulaic, excessively violent exploitation films, fashioned to satisfy the misogynist fantasies of teenage boys and grind house patrons. However, by examining the commercial logic, strategies and objectives of the American and Canadian independents that produced the films and the companies that distributed them in the US, "Blood Money" demonstrates that filmmakers and marketers actually went to extraordinary lengths to make early teen slashers attractive to female youth, to minimize displays of violence, gore and suffering and to invite comparisons to a wide range of post-classical Hollywood's biggest hits - including "Love Story (1970)," "The Exorcist (1973)," "Saturday Night Fever (1977)," "Grease," and "Animal House (both 1978)." "Blood Money" is a remarkable piece of scholarship that highlights the many forces that helped establish the teen slasher as a key component of the North American film industry's repertoire of youth-market product.
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